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The eighties

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1980
  • Anna D'Elia, Il gioco di Sisifo (The game of Sisyphus), in Nuova Immagine (New Image), exhibition catalogue, XVI Triennale, Mazzotta, Milan, April-July
1981
  • Giulio Carlo Argan, Occasioni di critica (Occasions of criticism), Editori Riuniti, Rome
  • Exhibition catalogue Linea della ricerca artistica in Italia 1960-1980 (Lines of artistic research in Italy 1960-1980), Palazzo delle Esposizioni, Rome, February
  • Catalogue Westkunst, Rheinhallen Messegelände, Cologne, May
  • Germano Celant, Identité italienne, l'art en Italie depuis 1959 (Italian identity. Art in Italy since 1959), exhibition catalogue, Centre Georges Pompidou, Paris, June-July
  • E. Maurizi, Pop-art e ricerca oggettuale a Rome negli anni sessanta (Pop Art and objective research in Rome in the Sixties), exhibition catalogue, Senigallia, July-August
  • L. Meneghelli, A. Mozzambani, Campionario 60-68. Alternative italiane alla Pop-art e al Nouveau Réalisme (Samples ‘60-’68. Italian Alternatives to Pop Art and the New Realism), exhibition catalogue, Palazzo della Gran Guardia, Verona, August
  • Anna D'Elia, Arte nei musei o nelle strade? (Art in the museums or in the streets?), in «La Gazzetta del Mezzogiorno», Bari, 4 March
  • A. Dragone, Fontana, Manzoni e Pascali, in«La Stampa», Turin, 21 June
1982
  • GiorgioDe Marchis, Storia dell'arte italiana. Il Novecento (History of Italian Art. The twentieth century), vol. 7, Einaudi, Turin, pp. 622-625
  • N. Ponente, Linee della ricerca artistica in Italia 1960-1970 (Lines of artistic research in Italy 1960-1970), exhibition catalogue,Palazzo delle Esposizioni, Rome, February-April
  • L. Parmesani, Dall'opera all'operetta (From the opera to the operetta), article on the exhibition Ricostruzioni di frequenza (Reconstructed frequencies), Galleria d'Arte Moderna, Bologna, March
  • L. Trucchi, E in ottanta sbarcarono a londra (And in eighty they arrived in London), in «Il Giornale», 29 October
  • Renato Barilli, Arte in Italia 1960-1982 (Italian art 1960-1982), exhibition catalogue, Hayward Gallery, London, October-1982-January 1983
1983
  • V. Bonomo, S. Fizzarotti, Pino Pascali. Io sono un bambino selvaggio (Pino Pascali. I am a wild boy), Edizioni Arpa Muta, with the sponsorship of the Banca Popolare di Bari
  • Giorgio De Marchis, Storia dell'arte (History of Art), Einaudi, Turin
  • Various authors, Pino Pascali, A. D'Elia (editor), Edizioni Laterza, Bari
  • Catalogo, Pino Pascali, Pinacoteca, Bari, December
  • Anna D'Elia, Lasciatemi inventare sono un pugliese vero (Let me invent that I am a thoroughbred Pugliese), in «La Gazzetta del Mezzogiorno», Bari, 7 March
  • Cesare Vivaldi, Gli anni sessanta a Rome e in Italia (the Sixties in Rome and in Italy), in «Flash Art», no. 112, Milan, March
  • Achille Bonito Oliva, Artisti italiani contemporanei dagli anni 50 ad oggi (Contemporary Italian artists from the Fifties to today), in «Flash Art», no. 113, Milan, April
  • Anna D'Elia, Raddrizza il quadro, l'acqua lo inonda (Straighten the picture, the water’s flooding it), in «La Gazzetta del Mezzogiorno», Bari, 27 August
  • F. Versienti, Cuore di latta e di legno (Heart of tin and wood), in «Il Manifesto», 10 November
  • M. Dandini, L'Avanguardia secondo Pino Pascali (The avant-garde according to Pino Pascali), in «Avanti!» Rome, 17 November
  • M. Carboni, Pascali: dada pop e surrealista (Pascali: dada pop and surrealist), in «Il Tirreno», Livorno, 1 December
1984
  • Germano Celant, Coerenza in coerenza, dall'Arte Povera al 1984 (Coherence in coherence, from arte povera to 1984), exhibition catalogue, La Mole Antonelliana, Turin, June-October
  • Germano Celant, Il mondo italiano (The Italian world), exhibition catalogue, Los Angeles Institute of Contemporary Art, Los Angeles
  • F. Poli, Le malinconiche armi di Pascali (Pascali’s melancholic weapons), in «Il Giorno», Milan, 8 December
1985
  • Germano Celant, Del Arte Povera a 1985(From arte povera to 1985), exhibition catalogue, Palacio de Velásquez, Madrid, January-April
  • Germano Celant, The knot Arte Povera at P.S.1, exhibition catalogue, P.S.1 Institute for Art and Urban Resources, New York, October
  • Germano Celant, Arte povera. Storie e protagonisti (Arte Povera. History and protagonists), Electa, Milan
1986
  • F. Meyer, La nouvelle sculture des années soixante, in Qu'est ce que la sculture moderne? (The new sculpture of the Sixties. What is modern sculpture?), Centre Pompidou, Paris, July
  • Catalogue, Italie hors d'Italie (Italy outside Italy), Musée des Beaux-Arts, Nimes. July
1987
  • L. Taiuti, “Ritorni al futuro”: quattro scultori e i loro accostamenti (“Back to the Future”: Four sculptors and their affinities), in «L'Unità», Rome, 27 January
  • Fabrizio D'Amico, Quattro in cordata (A roped foursome), in «La Repubblica», Rome, 20 February
  • Maurizio Calvesi, Fabio Sargentini, 4 scultori: Leoncillo, Pascali, Nagasawa, Nunzio (4 sculptors: Leoncillo, Pascali, Nagasawa, Nunzio), exhibition catalogue, Galleria L'Attico, Rome, January
  • Exhibition catalogue, Turin 1965-1987: de l'Arte povera dans les collections publiques francaises (Turin 1965-1987: arte povera in the French public collections), Musée Savoisien, Chambery, March-May
  • C. Cerritelli, Mitografie (Mythographies), catalogue, Essegi, Ravenna
  • B. Marcade, Perspectives cavalieres (Cavalier perspectives), exhibition catalogue, École Régionale Superiore d'Espression Plastique, Turckehim
  • Fabrizio D'Amico, Simonetta Lux, Pino Pascali (1935-1968), exhibition catalogue, Padiglione d'Arte Contemporanea, Arnoldo Mondadori Editore, Milan, December 1987-January
1988
  • Achille Bonito Oliva, La scultura è un genere che vuole essere perdonato (Sculpture is a genre that wants to be forgiven), Galleria L'Attico, Rome
  • Achille Bonito Oliva, The silent language of sculpture, The Murray and Isabella Rayburn Foundation, New York
  • Germano Celant, Mythos Italien, exhibition catalogue, Boyerisvhe Staatgemäldesammlungen, Munich
  • L. Meneghelli, 20 anni fa: 1968 (20 years ago: 1968), exhibition catalogue, Studio La Città, Verona
  • Gian Paolo Ceserani, Storia della pubblicità (History of Advertising), Laterza, Rome-Bari
  • E. Colliard, L'exces Pascali (The Pascali excess), in Un léger Plus, no. 3/4, May
  • A. Coulange, Sauver ce qui peut être sauvé (Saving what can be saved), Un léger Plus, no. 3/4, May
1989
  • Exhibition catalogue Verso l'Arte Povera, momenti e aspetti degli anni Sessanta in Italia (Towards arte povera- Moments and aspects of the Sixties in Italy), Padiglione d'Arte Contemporanea, Milan, January-March
  • Emily Braun, Italian Art in the 20th Century. Paintings and Sculpture 1900-1988, exhibition catalogue, Prestel-Verlag, Royal Academy of Art, Munich, January-April
  • Lino Angiuli, Per Pino Pascali (For Pino Pascali), Centro Regionale di Servizi Educativi e Culturali, Monopoli-Polignano a Mare